When the terms are “evolve or perish,” not being creative is no longer an option.  Vijay Vaitheeswaran, global correspondent for The Economist, says that members of the middle class must think of themselves as ordinary entrepreneurs.   Blazing one’s own educational and career path must become par for the course…

http://link.brightcove.com/services/player/bcpid1187410652001?bckey=AQ~~,AAAAGuNzXFE~,qu1BWJRU7c2zPXB5pnS6ytF42ALvFXD6&bctid=1569620290001

The big dot here to connect…?

If this is true, then none other than artists are the ones holding the keys to survival.  Artists’ individual and collective abilities to navigate creative destruction and approach each day’s unrepeatable problems, framing projects that can solve them with fresh thinking, represent the leadership-by-example that is most critically needed in today’s world.

Let’s place a higher value on it.

Heather L. Johnson’s work is up for a few more days at Kesting/Ray, one of the more exciting galleries in New York.

http://kestingray.com/2012/04/exhibitions-2012-johnson/?utm_source=KESTING+%2F+RAY+News&utm_campaign=f3636a1327-bushwick-open-studios_2012&utm_medium=email

The image shown is SPIN.  The whole show is embroidery on linen “…part-objects with a decidedly anthropomorphic cast…Here Johnson depicts the consecutive stages of action in a Wankel engine. Removed from their original frames of reference, however, the objects’ meaning multiplies: mechanical, celestial, and physiological systems are all evoked…”

 

Poking around in the all-consuming passion with which surfers hunger for their next wave, I can’t help but be inspired to think about art, innovation and the quirky thoughtfulness that makes us humans, human.  International Surfing Day will take place on Saturday, June 23rd….the beach is the perfect place to spend the day. This year  http://ct.surfrider.org/ will celebrate ISD in Milford, CT. …There will be surf lessons/demos, surf bands…and much, much, more! ”

Surfing may well be the world’s purest form of recreation.  It is athleticism that does not require a man-made arena.   It pits the human body against a rhythmic, unpredictable force that challenges its scale and its limits.  It unites people around the world in ecological awareness and a self-interested activism that is, therefore, authentic.  Bonus: aesthetically, it is beyond beautiful…it is breathtaking.

Like Zen Buddhism, surfing seems to inspire people to wax philosophical (unavoidable pun) about an existential state that defies articulation.  “Step Into Liquid, ” a film that is less of a documentary and more of a sensory feast (available on Netflix Instantwatch), includes interviews with several of the world’s outstanding surf posses.   Three brothers, for instance, traveled to Ireland and set up a surf clinic where Catholic and Protestant children could be together, both in their element.

Surfers are not competitors in the traditional sense.  Sure, they occasionally want to “best” each other, but what they seem to be mostly questing after – and what we miss in other sports when it is lacking – is the essence of excellence.  Hence, statements like: “Surfing is not a lifestyle.  It is life…style is optional.”  And, “Surfing is not a matter of life or death.  It is more important than that.”

Science tells us waves are an energy transport phenomenon, with cross-cutting properties regardless of medium.   Throughout the universe, wave nature surrounds and envelopes us.  In approaching the ocean, a surfer is concerned more with its energy than with its matter.  Is it too big a stretch to try and make a connection to today’s workers in the new economy dealing more now with “ideas” than with “stuff?”   Aren’t we all trying to ride the waves in one way or another?

Every project, every flow of work contains some rhythmic unpredictability.  It is a pattern we cannot escape, so we might as well bring to it our agility, a deep appreciation for others’ agility and a spirit of contagious courage.   We may as well try and get chaos down to a human scale where we can have fun with it.

My friend Ellen, who lives nearby in our shoreline community in Connecticut, has this voicemail message, one of the best consolation prizes I’ve encountered for missing someone who’s unavailable:

“We can’t control the waves, but we can learn how to surf.   Surf, baby, surf!”

I hope you will celebrate International Surfing Day with me on June 23rd by mastering whatever waves you may encounter.   Even better, why not do a little traveling in search of the challenge of bigger, riskier and more awesome ones?

A  famous statement about teachers is attributed to (one biographically mysterious) Thomas Carruthers:   “A good teacher is one who makes himself progressively unnecessary.”    Is it supposed to be Carothers?  Anyone have a clue about this guy?

Either which way, it seems as though the same can be said of any leader in the workplace.  In the role of catalyst and mediator, helping people  adapt to challenges, the goal is not to become indispensable.  It is to spark new ways of thinking that will add to the existing inventory of strengths, resources and efficiencies.

Work roles change over time, and help that was once essential may no longer be required.   Leadership is not the same as management; leaders can be present at any level of an organization.   Meanwhile, as the learning progresses, hopefully trust is deepening, relationships are growing, and new opportunities are showing themselves on the horizon.   This is a natural cycle.

The poet Kahlil Gibran wrote, “Work is love made visible.”   So…greater visibility and more love in exchange for working hard…and maybe (possibly) becoming unnecessary at some point in the future?

Sounds to me like a bargain worth making, and a risk that is healthy for organizations as well as the people who work to make their organizations succeed.

Must interrupt regularly scheduled TGIF interview about the recent nonprofit development sprint to bring you the following, just published by Mind Edge, learning in innovation (based in Waltham, Mass).

Cheers, and make sure your weekend ROCKS!

http://projectmanagement.atwork-network.com/2012/05/18/qa-elinor-buxton-slomba-on-the-art-of-agile/

Hey Virginia, do you still have lovers?  Because here in Connecticut, we’re Still Revolutionary.

http://www.ctvisit.com/pressroom/article/gov-malloy-unveils-the-connecticut-still-revolutionary-campaign/20152

In Hartford yesterday, Governor Dannel P. Malloy, joined by Department of Economic and Community Development (DECD) Commissioner Catherine Smith, Deputy DECD Commissioner Kip Bergstrom and other state officials, unveiled Connecticut’s new branding campaign.   “Still Revolutionary speaks to Connecticut’s deep roots in the founding of this country and reminds us that we still have that independent, revolutionary spirit. For centuries we have been the home of literary greats, innovators and natural wonders — an incredibly diverse array of products and talent, all right here in Connecticut.”

Personally, I think “Halfway between Boston and New York” would work just as well… but let’s have some fun with this!

A few people have mentioned they want to know more  about what I actually DO.    I think they must mean my professional practice.   Okay…  I contract with organizations to help them improve communications.

In order to accomplish a lot and have a great time doing it, my clients and I use an Agile development framework.  This is rather a new application for Agile, and so part of the story is how we are linking up our discourse, mapping our cognitive terrain as we go along.  When approaching a nonprofit organization, for instance, here is some material I might put together for the Board.

Questions for nonprofit Boards in an age of increasing competition (first paragraph is excerpted from the article “Saving the Ship by Rocking the Boat,” Mario Morino, Nov 2011 – see leapofreason.org)

1. What conditions could change precipitously, endangering our mission and those we serve?  2. Within current constraints, what can we do to improve the outcomes of our programs?  3. What is our organization’s “baseline” budget for providing the minimum acceptable level of service to clients?  4. Who would be our “knight in shining armor” if we needed one?  In other words, who would we turn to if we were at risk of having to fold our tent? 5. What are the “one step away” opportunities?  In other words, how can we change our prospects by building off what we already know? 6. What can we do to strengthen our revenue base?  (perhaps tying back to the one-step-away opportunities.)

Many organizations today are choosing to adopt an adaptive planning approach. This differs from traditional strategic planning in that it does not assume that conditions will remain stable or predictable, but instead acknowledges a climate of uncertainty.  Adaptive planning draws on a set of entrepreneurial business principles known collectively as “lean,” or “Agile” management.  It has been used to great success in the start-up world, and is now being modeled for use in the public and nonprofit sectors.

Becoming Agile as an Organization 

Agile managers recognize that customers/clients cannot generally tell us point blank in advance what would delight them.  Entrepreneurial organizations must make assumptions and test them as quickly and efficiently as possible in order to gain understanding about community expectations and desires.

A nonprofit planning process based on this approach will acknowledge that conditions governing operation in five years or even two cannot be precisely known.  Energies are geared towards agreeing on a set of near-term priorities that a team can commit to achieving.

Workflow is organized in the form of a “sprint,”  (several of these may form a campaign, the traditional nonprofit development term).  The entire team is focused on completing its commitments, recognizing that some of the assumptions on which they are based will turn out to be wrong and will need correction.  Completed work is seen to be the best basis for making management decisions and for reporting about outcomes to funders.  Planning is costly, and even the most well-executed plan does not guarantee success.

To be Agile is to be reality-based, to think cross-functionally and to have accurate information guiding management decisions about whether to “pivot or perservere.”

An essential feature of the toolkit I am developing for Agile in the Arts is Organizational Storycraft   Compelling stories are developed and released about an organization in regular increments, with community feedback gathered and the most “tellable tales” retold to generate new levels of enthusiasm and engagement.  Development and marketing goals – in other words, fundraising and publicity – are pursued in an integrated way.

***

In March I began a Storycraft contract with a nonprofit organization operating  in Hartford, CT.   In our first Sprint we set out over eight weeks to craft a case statement, research new funding prospects, submit grant proposals and prepare for an annual appeal.

The development team was comprised of staff and Board members and key volunteers.  I served in the role of Scrum Master or coach, as well as writer.  The team reviewed in-progress documents regularly and gave feedback.  Week by week, as we moved closer to “done,” the interactions grew more frequent and more meaningful.

At our retrospective session the client made an interesting observation.  Working in Agile mode, not only were all the deliverables met on time and the organization better positioned from a fundraising standpoint, but “we can all talk more powerfully now about who we are and what we’re about.  We can see ourselves better.”

More details and reflections on this sprint will form the basis for this week’s TGIF chat, to be posted this coming Friday.

Some people consciously seek out situations that throw them a little off-balance.  The first time I can recall doing this was during girlhood in Virginia Beach, Virginia, waiting in the breakers until the moment when it was possible to jump up, lean in and let the waves confuse all sense of vertical and horizontal, stealing the body from the horizon and giving it back different.  I decided that, despite sand-scrapes and a nose full of salt-sting, the experience was worth it, many times repeated and never-ever the same.

The sea is just the sea.  But when you consciously decide to throw yourself into its most unpredictable spaces, that’s a situation.

Situations are possibilities, refreshingly unscripted.   To locate the beginning of a situation, you need do nothing more than claim it.  To fulfill the middle of a situation, you invent something to do and see what happens next.  To pinpoint the end of a situation, you must be very still and quiet and watch carefully.

Seeing life as a series of situations you will never be bored, and you will never wait passively like a baby bird for the next sweet or shiny object.  You will also make life interesting for other people.  Sometimes exhilarating, sometimes quite nerve wracking, but interesting.

I have long been introspective about a profound, hard-to-explain connection to the water.  Not just any water, but salt water in particular.  Coastlines are liminal, shifting places; that is part of it.  To “live on the water”  is to belong to not one but two places at once that require each other to have any meaning.   That in itself  is rather irresistible.

But also, I think, the coast is the original situation.  Derive (the long walk that brings insight through studying subtle changes in ambiance – see Guy Debord) most often understood as an urban praxis, can also be achieved along the shore.  In mythology, people and things are always getting washed up on beaches, having encounters there of one kind or another.  Civilization is there, in the form of honky-tonk vendors, tai chi classes, all kinds of social displays awaiting attendance and interaction.  The built environment is there, but also the possibility of leaving it.  People are there, for many different reasons.  Narrative is always there, to be pondered and unlocked.   I could tell you some stories.

In fragments that survived antiquity to sound postmodern, Sappho wrote: “if you’re squeamish, don’t prod the beach rubble.”   Well, artists and entrepreneurs and leaders of organizations are anything but squeamish.   There are many possibilities and tools today for making a living out of our desire to prod various kinds of rubble, connect unpredictable material in unpredictable ways and renew a sense of shared vitality, authenticity and meaning in our work.

It is quite disorienting to imagine what the emerging world might be like when the limits of  social structures that create false senses of safety are revealed.  But, as anyone who lives near water knows quite well, change truly is the only constant, and if we consciously seek out the right opportunities to experience and negotiate chaos, we might learn and pass along some of its charms.

Devin Hedge is an Agile Coach with Big Visible Solutions, and is now coaching one of the largest financial management firms in Raleigh-Durham.  He agreed to be interviewed for “TGIF,” our Friday custom of seeking out choice bits of thought exchange.  MANY THANKS to Devin, who can be reached through his website (www.devinhedge.com) for feedback or inquiries.

AB:  So we’re speaking today about working environments  in which the impetus for adopting Agile does not come from the top down.   Have you witnessed this phenomenon of Stealth Agile?

DH:  I would say 99% of the impetus for adopting Agile is grassroots.  A small team within a software development or IT shop is fed up with bureaucracy and the typical way things get done, or rather don’t get done.  Agile compelled me in this way, that’s where I started.  Going back to 1997, all the Agile teams I worked on, they were all stealth.   We dumped the traditional project plans, we dumped the Gant charts.  We looked around for other models.

I was working in the European telecommunications industry, in which many countries were just starting to transition to free markets, it was scary for them, times were uncertain and we needed to be able to deliver value quickly.  [DBH] I started as a staff developer but quickly became a Team Lead once they realized that I had a leadership background as an Army Officer. I started looking around for all sorts of ways to turn a chaotic situation into delivering what our business partners wanted.

I had learned about doing stand-ups from an article in a pop-management magazine about lessons to be learned from a Navy boat commander.   He would have stand up briefings at the beginning of the day.  This got everyone focused on the same things.  The article pointed out that the Command and Information Center had big visible charts all over the place. It put all of the  work happening on the right out in front of the whole team.  The Navy has been that way for years, whether you’re on a destroyer or a frigate or an aircraft carrier, there are big glass walls where they would put everything.  That way the commander or captain could – at a glance – gain complete situational awareness. It was also a way for each of the officers to hold each other accountable for getting things done.

This really resonated with me because as an Army NCO and later as a young Officer, I spent time supporting a lot of elite forces. There was a team dynamic there that I was going for. I knew these kind of teams could exist and be highly productive because I had seen them in our government. These were self-contained teams, close knit and cross-functional. When I applied the same principles to software development teams, it all just clicked.

I started having standups, set up the big charts on the wall and then asked, “What we could show after one week?” By the end of one week we were able to turn a prototype back to the customer and ask for feedback.  We didn’t get much sleep, but we were wildly successful. If kinda snowballed from there once the customer was able to see and touch the software early on. After that,  I was asked to be a the project manager for 30 guys and gals on a one month sprint.  After that, it was a distributed team, spanning the UK, Australia and India.

As a Project Manager, I started to have a cult following.  This was not because I walk on water (obviously!) but because, when you put people at the center of the process, everything works.

AB: What is it about Agile that attracts workers on a stealth basis?

DH: Quality stays right out front the whole time.  Good quality assurance programs try to harmonize the fact that you can meet every specification, but if the market rejects it, the product isn’t good.  We know that having two truckloads of documentation at the end of a process is not actually proof that a product was good.

One thing about quality, it’s in the eye of the beholder, just like beauty.  Many quality implementation frameworks end up transforming something that was well-meaning into a check-the-box exercise instead of actually looking at the product.  It should be more like an art critique.  Agile just does that naturally, through tight feedback loops.

Most small teams like Agile because it fires up people’s creative juices.  We are not robots; we are not here to do the same repetitive task over and over.  We are here to do a unique task that is highly nuanced – singularly unique every time – based on human experience.  That’s why Agile is so appealing to knowledge workers who should have been hired for creativity, for situations in which what is required is kind of fuzzy.  It enables the human potential within them to come out, expressing the intrinsic value of work.

Agile has all sorts of built-in reward systems.  Computers give us interesting puzzles to figure out.  The problem is, if you’re the only person who plays with the puzzle it’s not that rewarding.   Someone else recognizing what you went through to produce that product is a self-reinforcing reward system.  Agile recognizes people’s mastery.

AB: What happens when a Stealth Agile team tries to scale up?

DH: A couple things.  When you first start adopting Agile outside the initial hive, we often see “teams” that aren’t acting like cross-functional, self-organized, empowered teams. Instead we find groups of individuals. Part of this is the Gulture Culture of celebrating being an Introvert. Nothing wrong with that. However, we need teams. So, the Introverts who aren’t used to collaborating very well might resist getting dragged into a team. Usually the objections aren’t real objections, they’re expressing insecurity about some facet of the process. Takes a little digging to figure out what’s really going on. A command-and-control culture might say that the person has “issues” or “lack of skills,” expressing a judgmental attitude.  That is rarely true. Often the situation is that the Leadership Style being employed just hasn’t found the right way to motivate the person. In Agile we take the time because people are more important than process.

Also, to scale out of being Stealth, you have to create an environment where it is safe to fail.  I’m not talking big failures, but lots of little ones that don’t cause any real harm, the kind people actually learn a lot from.  Christiansen in the Innovators’ DNA talks about how safe environments help workers connect their synapses by asking probing questions, personal networking with others, and taking time to observe in and out of the company.

In Stealth mode, it is easy to create this environment. You’re in an isolated bubble. At some point, Stealth Agile starts to gain what I call “viral velocity” and the team hits a wall when it can no longer be stealth. You have to explain why you’re not doing such and such documentation of where you have failed forward as a learning opportunity and someone just sees it as failure.  Generally there’s someone in middle or upper management who just doesn’t understand. This really isn’t because of process or policy. It is because the culture inside the Stealth Agile team is so different from the larger organization around it.

So you have to find your champion and your change agent.  We’ve found that having a group of at least four people, two supportive people at two different levels in the company, is a critical factor for getting past this culture shock to the organization. There is real Brain Science at play in the way people will resist the Stealth Agile team joining the rest of the organization.  The basal ganglia part of the brain is always searching for pattern recognition.  A response to the new and unfamiliar can override reason because it triggers flight or fight.  In situations where you’re trying to expand out of a Stealth Agile team, the rest of the organization doesn’t have a “pattern match”, so the champion and change agent have to create the experience, the pattern match, that helps click pieces into place horizontally and vertically through the organization in order for the new culture to stick.

The message from the Stealth Agile team to the rest of the company should be two-fold.  First, they should communicate the story of their pattern of responding and adapting to rapidly changing business needs.  The strength of the feedback loop created through close customer collaboration creates a narrative all by itself which then becomes compelling to the champion and change agent and gets retold.

The second part is management seeing the potential for what happens if the company embraces Agile outright.   At a very personal level, you have to activate the senses of management: desire gets triggered and then fulfilled just the way it does in a user story.

There is a hitch to all of this. There have to be structures for fulfillment around the Stealth Agile team or group or department otherwise there’s no survival at scale.  So you have to create a lot of buzz  around how much return on investment you’re going to get by being able to adapt and quickly respond to changing business needs, to ensure that the requisite structures are in place to be successful.

It’s management’s job to push, see how hard they can push people. That’s their job. It’s how they do that in the culture that matters.  There’s a directing style of leadership and a servant or motivating style of leadership.  The latter recognizes that people aren’t typically motivated by someone dictating policies.  Stealth Agile teams need to trigger a larger desire within the company for a different way of working and then fulfill that desire.

Yesterday ArtBux had a record-breaking day.  Influencers are following, tweeting, and commenting, and readers are showing up not only from the United States but from Bermuda and Portugal.  I am so happy to provide information considered of value in the space between art and business, the coolest liminal space there is in my opinion!

To mark the occasion, I am reposting the introduction.  Back when the concept for the blog was emerging, these thoughts were in play.  You’ve helped validate some and tipped me along the way through your feedback.

MANY THANKS!   And an early Friday toast to you –  “Clink-Clink-Clink…”

– EBS

***

Enthusiasm is a key to our humanity.   It is a fueling concept for the distinctiveness of the human mind, the patterning of each individual and the diversity of cultures within civilization.   Human beings attach and stay together in groups, from families to cities, based on what we care about.   We require one another to express energy and ideas.   Collectively, our vitality and authenticity can be demonstrated by the pulse of our enthusiasms.

We need stories to help find each other.  In the process of telling stories that make us care in common, we experience belonging.  We come to belong to our enthusiasms – and through them we understand ourselves in context.

My training is in cultural anthropology and urban studies.   My creative background is in visual arts, performing arts and creative writing.  My professional interest lies in the various ways stories are used to help build and sustain culture.  Lifting up against forces of entropy and indifference, storycraft keeps people afloat in the deliciousness of getting to know what it is they care about, and with whom they can delight in the particular enthusiasms that nourish creative people and cultures of choice.