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Over Labor Day weekend an extraordinary event took place in the world of self organized groups.  Philadelphia, the City of Brotherly Love, hosted the World Convention of one of the largest and most respected 12-Step recovery programs, known as Narcotics Anonymous.  Over 18,000 recovering addicts were in attendance, from over 100 countries.

journey

Twelve-step programs are a massive worldwide movement of various, self-organized groups  – each aligned to address a common, life-threatening problem (alcoholism, addiction, overeating, etc.).  Their power is based on face-to-face meetings in which people identify with one another and share openly and honestly on a regular basis.

This month, twenty years ago, I began studying Narcotics Anonymous as a participant observer for my senior thesis in Cultural Anthropology at the College of William and Mary.  Using Victor Turner’s ideas as a theoretical framework, I titled the thesis “Betwixt and Between: Communitas as Cure in the Lives of Recovering Addicts.”  I have been privileged to spend time sitting inside the circle at NA meetings, discovering how principles like “anonymity,” “humility,” and “surrender” make it possible for men and women whose lives had been controlled by drugs to live clean one day at a time, with each other’s help.

Organic openness is the essence of “Communitas” as outlined by Victor Turner (an underrated genius!  Please read his anthropology essays if you’re at all interested in contemporary organizational culture.  I have recommended them to many Agile coaches and colleagues working to improve the workplace.)

Examples of Communitas throughout history:

  • the monastic tradition established by St. Francis

  • women in Paris in the 1920s

  • performance artists in New York City in the 1970s (the scene fed by collaborations like Merce Cunningham/John Cage)

These groups stepped away from old forms and took for themselves the freedom to experiment with new ones.  Eventually, their ideas fed back into the mainstream where society as a whole could profit from them.  In the end, everyone had more creative options.

Narcotics Anonymous was founded in 1953 in California.  NA describes iteslf as “a global, community-based organization with a multi-lingual and multicultural membership.”   Its message, often referred to as the Promise of Freedom is: that any addict can stop using, lose the desire to use and find a new way to live. http://www.na.org/?ID=bulletins-bull25

This message – shared spontaneously in every meeting by members and read aloud from NA literature – is clear, consistent and reliable.  There is not one single culture for which the message is designed or in which it can be heard and understood.  There is unlimited potential in its simplicity.

Since NA has been fully self-supporting and growing worldwide as a multicultural phenomenon of Self-Organization for sixty years, perhaps we should listen to the wisdom it espouses.

The following is a GAME OF ASSOCIATION.  I start with a principle of Self-Organization, and follow it with a 12-step slogan from Narcotics Anonymous meetings.

Opting in.  “You are a member when you say you are.”

Collaboration.  “I can’t.  We can.”

Simplicity.  “KISS – keep it simple, stupid”

Continuous self-improvement: “Progress not perfection.”  “The journey continues.”

Incremental development. “It’s a process.”  “One step at a time.”

Faith in the emergent solution.  “Trust the process.”  “Act as if.”

Servant-leadership. “Our leaders are but trusted servants.  They do not govern.”

Persistence.  “Stay in the solution.” “Don’t give up five minutes before the miracle.”

In Narcotics Anonymous, the stakes are the highest possible: people’s lives.  In order to have credibility and be able to attract newcomers as well as retain experienced members, it is essential that the organization be able to deliver on its Promise of Freedom.

They cannot achieve this through coercion.  It is only through Self-Organization that recovering addicts have been able to adopt this program of change and incorporate its sustaining habits into their lives.

There is a joke in NA that goes “How many recovering addicts does it take to change a lightbulb?  None!  The lightbulb has to be willing to change itself.”

Therefore, based on everything I have learned in Cultural Anthropology and can offer the workplace improvement movement, culture is more like a liquid than a solid.   It cannot be effectively hacked.  Instead, it flows like a river, carrying various messages along in its fluidity.

Cultural change is driven by those considered to be outsiders or rebels, individuals driven by courage and/or desperation to admit that standard ways of doing things simply DO NOT WORK.   These individuals gravitate toward the margins of organized groups, the interstices, the spaces in-between.   There, they have a better chance of finding each other, learning from one another, and together, eventually, making creative contributions.

  • What is your Self-Organizing group’s primary purpose?  
  • How do its members gather and share this message?
  • Have they experienced enough pain to truly want to change?

For more background on Outsider Wisdom, Cultural Anthropology, Narrative Intelligence and finding the right creative metaphor to spirit forward your self-organizing transformations, please contact Elinor Slomba at artsinterstices@gmail.com.

As I hear about capital projects that have gone bust from overambition and organizational stress rooted in conflicting views about how much it is possible to know in advance, it seems apropos to put this thinker’s conclusion forward, grounded in arts management as a lived experience:

“It is not a matter of saying analytically, ‘what are the requirements, how best they could be organized?’ This will usually bring into existence something tame, conventional, often cold. The science of theatre building must come from studying what it is that brings about the more vivid relationships between people.“ – Director Peter Brook

The science of theater building sounds like every project worth completing right now. MANY THANKS to John Thackara for including the quote in his excellent 2003 essay, The Post-Spectacular City.

Thackara’s essay is a useful grounding point for heady, interrelated discussions taking place in the emergent design worlds. Whether it’s culture hacking or creative placemaking, any good idea can go awry in a heartbeat of “too busy to care” or “too about-to-be-funded to care” about the internal logic of what we’re doing and how we’re doing it. There is also (ahem) what David Ehrenfield called the plain, old “arrogance of humanism” to contend with. It happens.

I attended a memorable speech Toni Morrison gave twenty-odd years ago at a conference in Washington, DC in which she made the point: ”there is no Golden Age.” We cannot with integrity hark back to periods in history which relied on slavery and other forms of oppression to organize the leisure time of its decision-makers to indulge in politics and the arts. That’s what I see today when presented with a set of Greek columns, for instance, in Chicago’s Millennium Park. A false harking back and a collective call towards inauthenticity – in other words, a spectacle. We cannot even hark back to the golden ages of our own respective movements, times when the inside circle of a given scene was very small (we were in it, of course!) and things were cooler.

However, I do believe we can achieve something golden in our work across sectors as we imagine things differently. These glimmers, these clues, are by definition ephemeral and provisional. They multiply out of concern for vivid relationships between people. We must make space for dialogue and co-dreaming. For the invention of new, shared meanings. As we muddle through figuring this stuff out, we must include ourselves. As we take responsibility for prioritizing individuals and interactions over tools and processes (wait, who’s manning the Agile Manifesto?), we supply others with useful models for differentiating the vivid from the bland.

Don’t we all want a taste of the post-spectacular? Something to carry our time spent in cities, theaters, and workplaces beyond the tame, cold and conventional? This is not something that will be delivered to us. It is something we must make.

Companies like Morning Star are figuring out vivid relationships at work AND figuring out how to succeed economically. Let’s study them closely, for inspiration and information rather than exact, cookie-cutter replication.

Meanwhile, we’ll walk across Millennium Park to another sculpture affectionately known by Chicagoans as “The Bean.” Here, a reflective surface views its viewers, reminding us of the absurdity of standing in front of a hunk of metal trying – alongside a bunch of strangers – to see something wondrous. It is simply the act of seeing that is wondrous, the public celebration of NOW, and the unrepeatable experience in the infinite reflections every moment brings.

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