Archives for category: E. Slomba Arts Interstices

Giving people permission to be creative together in groups, that’s what Scrum Masters do.   On the receiving end, it can feel like a challenge or an invitation, depending on a host of ephemeral factors.  The important thing is for the Scrum Master to have trust in the power of self-organization to come up with solutions that are far better than any one mind in isolation is capable of generating.

http://blogs.versionone.com/agile_management/2012/07/12/how-can-scrummasters-help-their-teams-to-self-organize/?mkt_tok=3RkMMJWWfF9wsRohua7AZKXonjHpfsX64%2BkuUa6%2BlMI%2F0ER3fOvrPUfGjI4GTsNjI%2FqLAzICFpZo2FFOH%2FKGdY9O9ftY

Catalyzing group intelligence is my mission this evening in Hartford, CT, where I will present to the board of directors of Hartford 2000, a coalition of the City of Hartford and its 13 Neighyborhood Revitalization Zones.  The topic? Staff and Board Roles in Nonprofit Fundraising.  We are not following cookie-cutter plans, we are being artful, and that requires a bit more thought and engagement than the average meeting attender is likely to expect.    HINT: color coded gumdrops are involved.

Self-organization takes getting used to, for sure.  However, it is the pattern and flow that best matches today’s thoughtwork and helps us grow beyond an industrial mind-set.  We’ve been post-industrial long enough, time to trigger what’s next!

In my view, that’s a matter for self-organized teams –  supported in working creatively and collaboratively – to decide.

Instructions Not Included: Tinker, Hack, Tweak will take an unexpected look at readymade culture and the objects with which we surround ourselves November 9, 2012 – January 17, 2013 at Artspace in  New Haven.  Meanwhile, in the spirit of the show,  I am organizing a meet-up for industrial designers, engineers and product developers to explore and respond to the work  – and perhaps other exhibits/performances  in the future – as a specially-informed audience.

At Artspace, artists/makers from Connecticut and the surrounding region are invited to submit proposals for consideration through August 30, 2012.  http://artspacenh.org/opportunities.asp?id={FB9554BB-D036-4ABD-ADC6-A31F144EC35E}

At Artsinterstices, industrial designers, engineers and product developers interested in developing a collaborative, contextual response to the selected artists’ viewpoints should contact me at artsinterstices@gmail.com.   The group will convene November to see and discuss the work as it opens.  We will explore and respond to the concepts on this blog in the New Year.  This is an experimental approach to curating audiences from outside the arts who have specialized knowledge and informed insights to share,  for purposes of mutual enrichment and alliance-building among creative enterprises.  An app, if you will, with the exhibit as platform.

I am excited to see what happens next when we put interesting minds together in the space between art and business! – EBS

With provisional space, repurposing and the growing popularity of the “charm bracelet” approach (diverse cultural groups branded together as one district or neighborhood), how do we think and talk about, much less pay for, the iconic showcase-spaces that drive civic PR and tourism?  Here are two relevant and thought-provoking articles:

A sobering piece in the New York Times about building expansions, cultural capacity, and Board members with misplaced enthusiasm: http://www.nytimes.com/2012/06/28/arts/design/study-shows-expansion-can-be-unhealthy-for-arts-groups.html?_r=3

Best read alongside this, for a pick-me-up afterwards:

20 Most Beautiful  Museums in the World, from Flavorwire.    http://www.flavorwire.com/306801/the-20-most-beautiful-museums-in-the-world/comment-page-1#comment-148357

In my opinion, they should have listed 21, with MASSMoCA added to make blackjack!

 

A former Sprague Electric Company plant, the flat-out droolworthy contemporary art museum in the Berkshires (http://www.massmoca.org/ in North Adams, MA) is thriving, and might offer a few clues to arts groups looking apply others’ lessons and avoid some of the pitfalls:

  • hybridize – old plus new; visual plus performing; art plus technology; science plus humanities.  Creativity is less about invention and more about recombining, so should its containers be!   This is the big limitation of feasibility studies – the holy grail of capital campaigns.  If several others have already done something successfully, chances are you’ll need to put a new twist on it to succeed.  It’s hard to quantify vision, but there’s also no substitute for it and no single discipline, art form or perspective that’s going to compel its narrative forward in isolation.  Build and/or expand accordingly.
  • generalize – niches are nice, but don’t make yours too narrow.  Propose eclectic contents for your container so people will wonder what happens next!  Make sure more purposes are possible in a given space than you ever even imagined at the start.
  • localize – if your proposed architectural project could be somewhere else in the world other than where you’re putting it and still make sense, don’t do it!  Buildings should be indigenous to their surroundings, reinforce their places, and story their communities.

Above all, let’s consider and embrace the notion than everyone is allowed to have an opinion about what makes space important, appealing and interesting, and what spatial alterations and innovations their communities actually need to express cultural vibrancy.   Models, maps and prototypes – tents, carts and flashmobs – might just be the kinds of shrines and palaces that fit these times the best.

Meanwhile City Wide Open Studios is coming up in October 2012 in New Haven, CT – three weekends of feasting on an eclectic free range of art spaces turned inside-out, all invitational-like.  This year is the first to have a theme – Crystal for the event’s 15th Anniversary – making the entire urban area a kind of composite, crowdsourced glittering art palace.   http://www.cwos.org/

 

 

 

Good storytelling is central to leadership.   “A story is the best way to economically communicate understanding and wisdom as well as to nurture passion and motivation.”

http://www.gantthead.com/article.cfm?ID=273851

In the spirit of alliance-building, it is worthwhile for nonprofit managers to see what IT managers are reading and thinking about these days.   Here is some external validation about the central importance of narrative to leading a team.

“Team members on the agile project are typically pressed to stretch limits and proceed where the environment is ambiguous. As such, the team needs guidance on principles and values to shape the way forward and to help them push through challenges.”   That’s where story comes in.

I wanted to provide a quick way to reference “The Artistic Dividend: The Arts’ Hidden Contributions to Regional Development”  By Ann Markusen and David King out of the University of Minnesota.  In section eight (Artists’ View of Themselves as Economic Actors), the researchers took an “occupational approach, centered on understanding the economic aspirations and experiences of individual artists through interviews, [which] uncovered a significant number of cases where artists are successfully generating a satisfactory income by working entrepreneurially, often aided by an extensive network of advice and contacts with others in the region. Many do so without sacrificing quality and creative integrity. ”

http://www.hhh.umn.edu/img/assets/6158/artistic_dividend.pdf

However, many artists, even successful grant-winning artists, still do not think of what they do as economic activity!  The report finds that they might do well to engage in entrepreneurial skill-building and overcome tendencies to think negatively about marketing their work.

Agile (which can be summed up as a team-based technology for approaching high-value business projects at high velocity in climates of dynamic uncertainty) is such an effective way to prioritize administrative tasks and achieve business objectives – I recommend it to any artist seeking to leverage time spent on “the business end of things.”   Training and coaching discourses around Agile are still very much grounded in the world of software development, now spreading to other, related domains – see http://www.scrumalliance.org.  I am working on translating the essence of Agile into an arts-friendly language…collaborators WELCOME!  I hope that this will unlock new partnerships between the arts and start-up worlds and re-interest / reinvest nonprofit arts supporters in  the core administrative operations of organizations, which can be creative and innovative in their own right.

Planning to visit Minneapolis/St. Paul in August.  Please contact me (artsinterstices@gmail.com) about other arts organizations and/or start-up companies I should visit on my northern trip cross-country.    Special thanks to arts reporter Judith H. Dobrzynski.

http://www.artsjournal.com/realcleararts/2012/05/enlightened-minnesota-stages-a-museums-month.html?goback=%2Egde_2487594_member_121293144

 

Poking around in the all-consuming passion with which surfers hunger for their next wave, I can’t help but be inspired to think about art, innovation and the quirky thoughtfulness that makes us humans, human.  International Surfing Day will take place on Saturday, June 23rd….the beach is the perfect place to spend the day. This year  http://ct.surfrider.org/ will celebrate ISD in Milford, CT. …There will be surf lessons/demos, surf bands…and much, much, more! ”

Surfing may well be the world’s purest form of recreation.  It is athleticism that does not require a man-made arena.   It pits the human body against a rhythmic, unpredictable force that challenges its scale and its limits.  It unites people around the world in ecological awareness and a self-interested activism that is, therefore, authentic.  Bonus: aesthetically, it is beyond beautiful…it is breathtaking.

Like Zen Buddhism, surfing seems to inspire people to wax philosophical (unavoidable pun) about an existential state that defies articulation.  “Step Into Liquid, ” a film that is less of a documentary and more of a sensory feast (available on Netflix Instantwatch), includes interviews with several of the world’s outstanding surf posses.   Three brothers, for instance, traveled to Ireland and set up a surf clinic where Catholic and Protestant children could be together, both in their element.

Surfers are not competitors in the traditional sense.  Sure, they occasionally want to “best” each other, but what they seem to be mostly questing after – and what we miss in other sports when it is lacking – is the essence of excellence.  Hence, statements like: “Surfing is not a lifestyle.  It is life…style is optional.”  And, “Surfing is not a matter of life or death.  It is more important than that.”

Science tells us waves are an energy transport phenomenon, with cross-cutting properties regardless of medium.   Throughout the universe, wave nature surrounds and envelopes us.  In approaching the ocean, a surfer is concerned more with its energy than with its matter.  Is it too big a stretch to try and make a connection to today’s workers in the new economy dealing more now with “ideas” than with “stuff?”   Aren’t we all trying to ride the waves in one way or another?

Every project, every flow of work contains some rhythmic unpredictability.  It is a pattern we cannot escape, so we might as well bring to it our agility, a deep appreciation for others’ agility and a spirit of contagious courage.   We may as well try and get chaos down to a human scale where we can have fun with it.

My friend Ellen, who lives nearby in our shoreline community in Connecticut, has this voicemail message, one of the best consolation prizes I’ve encountered for missing someone who’s unavailable:

“We can’t control the waves, but we can learn how to surf.   Surf, baby, surf!”

I hope you will celebrate International Surfing Day with me on June 23rd by mastering whatever waves you may encounter.   Even better, why not do a little traveling in search of the challenge of bigger, riskier and more awesome ones?

A  famous statement about teachers is attributed to (one biographically mysterious) Thomas Carruthers:   “A good teacher is one who makes himself progressively unnecessary.”    Is it supposed to be Carothers?  Anyone have a clue about this guy?

Either which way, it seems as though the same can be said of any leader in the workplace.  In the role of catalyst and mediator, helping people  adapt to challenges, the goal is not to become indispensable.  It is to spark new ways of thinking that will add to the existing inventory of strengths, resources and efficiencies.

Work roles change over time, and help that was once essential may no longer be required.   Leadership is not the same as management; leaders can be present at any level of an organization.   Meanwhile, as the learning progresses, hopefully trust is deepening, relationships are growing, and new opportunities are showing themselves on the horizon.   This is a natural cycle.

The poet Kahlil Gibran wrote, “Work is love made visible.”   So…greater visibility and more love in exchange for working hard…and maybe (possibly) becoming unnecessary at some point in the future?

Sounds to me like a bargain worth making, and a risk that is healthy for organizations as well as the people who work to make their organizations succeed.

Must interrupt regularly scheduled TGIF interview about the recent nonprofit development sprint to bring you the following, just published by Mind Edge, learning in innovation (based in Waltham, Mass).

Cheers, and make sure your weekend ROCKS!

http://projectmanagement.atwork-network.com/2012/05/18/qa-elinor-buxton-slomba-on-the-art-of-agile/

A few people have mentioned they want to know more  about what I actually DO.    I think they must mean my professional practice.   Okay…  I contract with organizations to help them improve communications.

In order to accomplish a lot and have a great time doing it, my clients and I use an Agile development framework.  This is rather a new application for Agile, and so part of the story is how we are linking up our discourse, mapping our cognitive terrain as we go along.  When approaching a nonprofit organization, for instance, here is some material I might put together for the Board.

Questions for nonprofit Boards in an age of increasing competition (first paragraph is excerpted from the article “Saving the Ship by Rocking the Boat,” Mario Morino, Nov 2011 – see leapofreason.org)

1. What conditions could change precipitously, endangering our mission and those we serve?  2. Within current constraints, what can we do to improve the outcomes of our programs?  3. What is our organization’s “baseline” budget for providing the minimum acceptable level of service to clients?  4. Who would be our “knight in shining armor” if we needed one?  In other words, who would we turn to if we were at risk of having to fold our tent? 5. What are the “one step away” opportunities?  In other words, how can we change our prospects by building off what we already know? 6. What can we do to strengthen our revenue base?  (perhaps tying back to the one-step-away opportunities.)

Many organizations today are choosing to adopt an adaptive planning approach. This differs from traditional strategic planning in that it does not assume that conditions will remain stable or predictable, but instead acknowledges a climate of uncertainty.  Adaptive planning draws on a set of entrepreneurial business principles known collectively as “lean,” or “Agile” management.  It has been used to great success in the start-up world, and is now being modeled for use in the public and nonprofit sectors.

Becoming Agile as an Organization 

Agile managers recognize that customers/clients cannot generally tell us point blank in advance what would delight them.  Entrepreneurial organizations must make assumptions and test them as quickly and efficiently as possible in order to gain understanding about community expectations and desires.

A nonprofit planning process based on this approach will acknowledge that conditions governing operation in five years or even two cannot be precisely known.  Energies are geared towards agreeing on a set of near-term priorities that a team can commit to achieving.

Workflow is organized in the form of a “sprint,”  (several of these may form a campaign, the traditional nonprofit development term).  The entire team is focused on completing its commitments, recognizing that some of the assumptions on which they are based will turn out to be wrong and will need correction.  Completed work is seen to be the best basis for making management decisions and for reporting about outcomes to funders.  Planning is costly, and even the most well-executed plan does not guarantee success.

To be Agile is to be reality-based, to think cross-functionally and to have accurate information guiding management decisions about whether to “pivot or perservere.”

An essential feature of the toolkit I am developing for Agile in the Arts is Organizational Storycraft   Compelling stories are developed and released about an organization in regular increments, with community feedback gathered and the most “tellable tales” retold to generate new levels of enthusiasm and engagement.  Development and marketing goals – in other words, fundraising and publicity – are pursued in an integrated way.

***

In March I began a Storycraft contract with a nonprofit organization operating  in Hartford, CT.   In our first Sprint we set out over eight weeks to craft a case statement, research new funding prospects, submit grant proposals and prepare for an annual appeal.

The development team was comprised of staff and Board members and key volunteers.  I served in the role of Scrum Master or coach, as well as writer.  The team reviewed in-progress documents regularly and gave feedback.  Week by week, as we moved closer to “done,” the interactions grew more frequent and more meaningful.

At our retrospective session the client made an interesting observation.  Working in Agile mode, not only were all the deliverables met on time and the organization better positioned from a fundraising standpoint, but “we can all talk more powerfully now about who we are and what we’re about.  We can see ourselves better.”

More details and reflections on this sprint will form the basis for this week’s TGIF chat, to be posted this coming Friday.