Archives for category: The Agile Story

The Agileseed Tour has begun – a cross-continental excursion to arts centers, city halls and creative businesses over the course of 30 days to share innovative ideas and investigate the look and feel of Agile projects in action.   Among the sites I’m most excited about:

Bates Dance Festival in Lewiston, ME

Toronto’s Center for Social Innovation

Detroit’s Motown Museum

Nokia Chicago

Walker Art Center and the Minneapolis start-up community

Helena, MT – Shakespeare, Montana-style, at the Civic Center

San Fancisco’s City Hall and public art

Zero One in San Jose, where art and technology meet to shape the future

and more…because interesting things happen when forward-thinking minds collide.

Meanwhile, the Agile Culture Conference is coming up in Boston and Philadelphia September 13-14, based around the premise that culture has become the gating factor for creativity, learning and productivity in the workplace.

http://newtechusa.net/culture-con/

And the Scrum Alliance is hosting a global gathering in Barcelona, Spain Oct 1-3.  Among the highlights known to date?  Richard Kasperowski of Agile Boston, with details of a radical six-week long Open Space process which resulted in his team’s reconfiguration of their work space to be more human.   http://www.scrumalliance.org/events/464-barcelona–global-event

I would enjoy hearing stories of your own Agileseeding adventures, as well as news of related upcoming events.

CHEERS!

Giving people permission to be creative together in groups, that’s what Scrum Masters do.   On the receiving end, it can feel like a challenge or an invitation, depending on a host of ephemeral factors.  The important thing is for the Scrum Master to have trust in the power of self-organization to come up with solutions that are far better than any one mind in isolation is capable of generating.

http://blogs.versionone.com/agile_management/2012/07/12/how-can-scrummasters-help-their-teams-to-self-organize/?mkt_tok=3RkMMJWWfF9wsRohua7AZKXonjHpfsX64%2BkuUa6%2BlMI%2F0ER3fOvrPUfGjI4GTsNjI%2FqLAzICFpZo2FFOH%2FKGdY9O9ftY

Catalyzing group intelligence is my mission this evening in Hartford, CT, where I will present to the board of directors of Hartford 2000, a coalition of the City of Hartford and its 13 Neighyborhood Revitalization Zones.  The topic? Staff and Board Roles in Nonprofit Fundraising.  We are not following cookie-cutter plans, we are being artful, and that requires a bit more thought and engagement than the average meeting attender is likely to expect.    HINT: color coded gumdrops are involved.

Self-organization takes getting used to, for sure.  However, it is the pattern and flow that best matches today’s thoughtwork and helps us grow beyond an industrial mind-set.  We’ve been post-industrial long enough, time to trigger what’s next!

In my view, that’s a matter for self-organized teams –  supported in working creatively and collaboratively – to decide.

Instructions Not Included: Tinker, Hack, Tweak will take an unexpected look at readymade culture and the objects with which we surround ourselves November 9, 2012 – January 17, 2013 at Artspace in  New Haven.  Meanwhile, in the spirit of the show,  I am organizing a meet-up for industrial designers, engineers and product developers to explore and respond to the work  – and perhaps other exhibits/performances  in the future – as a specially-informed audience.

At Artspace, artists/makers from Connecticut and the surrounding region are invited to submit proposals for consideration through August 30, 2012.  http://artspacenh.org/opportunities.asp?id={FB9554BB-D036-4ABD-ADC6-A31F144EC35E}

At Artsinterstices, industrial designers, engineers and product developers interested in developing a collaborative, contextual response to the selected artists’ viewpoints should contact me at artsinterstices@gmail.com.   The group will convene November to see and discuss the work as it opens.  We will explore and respond to the concepts on this blog in the New Year.  This is an experimental approach to curating audiences from outside the arts who have specialized knowledge and informed insights to share,  for purposes of mutual enrichment and alliance-building among creative enterprises.  An app, if you will, with the exhibit as platform.

I am excited to see what happens next when we put interesting minds together in the space between art and business! – EBS

Good storytelling is central to leadership.   “A story is the best way to economically communicate understanding and wisdom as well as to nurture passion and motivation.”

http://www.gantthead.com/article.cfm?ID=273851

In the spirit of alliance-building, it is worthwhile for nonprofit managers to see what IT managers are reading and thinking about these days.   Here is some external validation about the central importance of narrative to leading a team.

“Team members on the agile project are typically pressed to stretch limits and proceed where the environment is ambiguous. As such, the team needs guidance on principles and values to shape the way forward and to help them push through challenges.”   That’s where story comes in.

Creative minds coalescing around city halls nationally to solve urban problems with public data:

http://www.motherjones.com/media/2012/05/code-for-america-jen-pahlka-interview

Because, in the words of founder Jen Pahika, “You can care about your city in a way that’s hard to care about the bigger levels of government. And cities everywhere are going through this enormous financial crisis…It’s in your face, and this crisis is creating the political will to push through new approaches.”  I will be checking out city halls while playing Johnny Agile-seed on tour this August.

MANY THANKS to Emily Wolfe for making me aware of Jen’s great work.   It’s not all about code, there’s a real human aspect to it as well.   Lots of face-to-face, lots of nuance…good to see, and let’s see more!

http://codeforamerica.org/

I wanted to provide a quick way to reference “The Artistic Dividend: The Arts’ Hidden Contributions to Regional Development”  By Ann Markusen and David King out of the University of Minnesota.  In section eight (Artists’ View of Themselves as Economic Actors), the researchers took an “occupational approach, centered on understanding the economic aspirations and experiences of individual artists through interviews, [which] uncovered a significant number of cases where artists are successfully generating a satisfactory income by working entrepreneurially, often aided by an extensive network of advice and contacts with others in the region. Many do so without sacrificing quality and creative integrity. ”

http://www.hhh.umn.edu/img/assets/6158/artistic_dividend.pdf

However, many artists, even successful grant-winning artists, still do not think of what they do as economic activity!  The report finds that they might do well to engage in entrepreneurial skill-building and overcome tendencies to think negatively about marketing their work.

Agile (which can be summed up as a team-based technology for approaching high-value business projects at high velocity in climates of dynamic uncertainty) is such an effective way to prioritize administrative tasks and achieve business objectives – I recommend it to any artist seeking to leverage time spent on “the business end of things.”   Training and coaching discourses around Agile are still very much grounded in the world of software development, now spreading to other, related domains – see http://www.scrumalliance.org.  I am working on translating the essence of Agile into an arts-friendly language…collaborators WELCOME!  I hope that this will unlock new partnerships between the arts and start-up worlds and re-interest / reinvest nonprofit arts supporters in  the core administrative operations of organizations, which can be creative and innovative in their own right.

Planning to visit Minneapolis/St. Paul in August.  Please contact me (artsinterstices@gmail.com) about other arts organizations and/or start-up companies I should visit on my northern trip cross-country.    Special thanks to arts reporter Judith H. Dobrzynski.

http://www.artsjournal.com/realcleararts/2012/05/enlightened-minnesota-stages-a-museums-month.html?goback=%2Egde_2487594_member_121293144

A  famous statement about teachers is attributed to (one biographically mysterious) Thomas Carruthers:   “A good teacher is one who makes himself progressively unnecessary.”    Is it supposed to be Carothers?  Anyone have a clue about this guy?

Either which way, it seems as though the same can be said of any leader in the workplace.  In the role of catalyst and mediator, helping people  adapt to challenges, the goal is not to become indispensable.  It is to spark new ways of thinking that will add to the existing inventory of strengths, resources and efficiencies.

Work roles change over time, and help that was once essential may no longer be required.   Leadership is not the same as management; leaders can be present at any level of an organization.   Meanwhile, as the learning progresses, hopefully trust is deepening, relationships are growing, and new opportunities are showing themselves on the horizon.   This is a natural cycle.

The poet Kahlil Gibran wrote, “Work is love made visible.”   So…greater visibility and more love in exchange for working hard…and maybe (possibly) becoming unnecessary at some point in the future?

Sounds to me like a bargain worth making, and a risk that is healthy for organizations as well as the people who work to make their organizations succeed.

Must interrupt regularly scheduled TGIF interview about the recent nonprofit development sprint to bring you the following, just published by Mind Edge, learning in innovation (based in Waltham, Mass).

Cheers, and make sure your weekend ROCKS!

http://projectmanagement.atwork-network.com/2012/05/18/qa-elinor-buxton-slomba-on-the-art-of-agile/

A few people have mentioned they want to know more  about what I actually DO.    I think they must mean my professional practice.   Okay…  I contract with organizations to help them improve communications.

In order to accomplish a lot and have a great time doing it, my clients and I use an Agile development framework.  This is rather a new application for Agile, and so part of the story is how we are linking up our discourse, mapping our cognitive terrain as we go along.  When approaching a nonprofit organization, for instance, here is some material I might put together for the Board.

Questions for nonprofit Boards in an age of increasing competition (first paragraph is excerpted from the article “Saving the Ship by Rocking the Boat,” Mario Morino, Nov 2011 – see leapofreason.org)

1. What conditions could change precipitously, endangering our mission and those we serve?  2. Within current constraints, what can we do to improve the outcomes of our programs?  3. What is our organization’s “baseline” budget for providing the minimum acceptable level of service to clients?  4. Who would be our “knight in shining armor” if we needed one?  In other words, who would we turn to if we were at risk of having to fold our tent? 5. What are the “one step away” opportunities?  In other words, how can we change our prospects by building off what we already know? 6. What can we do to strengthen our revenue base?  (perhaps tying back to the one-step-away opportunities.)

Many organizations today are choosing to adopt an adaptive planning approach. This differs from traditional strategic planning in that it does not assume that conditions will remain stable or predictable, but instead acknowledges a climate of uncertainty.  Adaptive planning draws on a set of entrepreneurial business principles known collectively as “lean,” or “Agile” management.  It has been used to great success in the start-up world, and is now being modeled for use in the public and nonprofit sectors.

Becoming Agile as an Organization 

Agile managers recognize that customers/clients cannot generally tell us point blank in advance what would delight them.  Entrepreneurial organizations must make assumptions and test them as quickly and efficiently as possible in order to gain understanding about community expectations and desires.

A nonprofit planning process based on this approach will acknowledge that conditions governing operation in five years or even two cannot be precisely known.  Energies are geared towards agreeing on a set of near-term priorities that a team can commit to achieving.

Workflow is organized in the form of a “sprint,”  (several of these may form a campaign, the traditional nonprofit development term).  The entire team is focused on completing its commitments, recognizing that some of the assumptions on which they are based will turn out to be wrong and will need correction.  Completed work is seen to be the best basis for making management decisions and for reporting about outcomes to funders.  Planning is costly, and even the most well-executed plan does not guarantee success.

To be Agile is to be reality-based, to think cross-functionally and to have accurate information guiding management decisions about whether to “pivot or perservere.”

An essential feature of the toolkit I am developing for Agile in the Arts is Organizational Storycraft   Compelling stories are developed and released about an organization in regular increments, with community feedback gathered and the most “tellable tales” retold to generate new levels of enthusiasm and engagement.  Development and marketing goals – in other words, fundraising and publicity – are pursued in an integrated way.

***

In March I began a Storycraft contract with a nonprofit organization operating  in Hartford, CT.   In our first Sprint we set out over eight weeks to craft a case statement, research new funding prospects, submit grant proposals and prepare for an annual appeal.

The development team was comprised of staff and Board members and key volunteers.  I served in the role of Scrum Master or coach, as well as writer.  The team reviewed in-progress documents regularly and gave feedback.  Week by week, as we moved closer to “done,” the interactions grew more frequent and more meaningful.

At our retrospective session the client made an interesting observation.  Working in Agile mode, not only were all the deliverables met on time and the organization better positioned from a fundraising standpoint, but “we can all talk more powerfully now about who we are and what we’re about.  We can see ourselves better.”

More details and reflections on this sprint will form the basis for this week’s TGIF chat, to be posted this coming Friday.

Devin Hedge is an Agile Coach with Big Visible Solutions, and is now coaching one of the largest financial management firms in Raleigh-Durham.  He agreed to be interviewed for “TGIF,” our Friday custom of seeking out choice bits of thought exchange.  MANY THANKS to Devin, who can be reached through his website (www.devinhedge.com) for feedback or inquiries.

AB:  So we’re speaking today about working environments  in which the impetus for adopting Agile does not come from the top down.   Have you witnessed this phenomenon of Stealth Agile?

DH:  I would say 99% of the impetus for adopting Agile is grassroots.  A small team within a software development or IT shop is fed up with bureaucracy and the typical way things get done, or rather don’t get done.  Agile compelled me in this way, that’s where I started.  Going back to 1997, all the Agile teams I worked on, they were all stealth.   We dumped the traditional project plans, we dumped the Gant charts.  We looked around for other models.

I was working in the European telecommunications industry, in which many countries were just starting to transition to free markets, it was scary for them, times were uncertain and we needed to be able to deliver value quickly.  [DBH] I started as a staff developer but quickly became a Team Lead once they realized that I had a leadership background as an Army Officer. I started looking around for all sorts of ways to turn a chaotic situation into delivering what our business partners wanted.

I had learned about doing stand-ups from an article in a pop-management magazine about lessons to be learned from a Navy boat commander.   He would have stand up briefings at the beginning of the day.  This got everyone focused on the same things.  The article pointed out that the Command and Information Center had big visible charts all over the place. It put all of the  work happening on the right out in front of the whole team.  The Navy has been that way for years, whether you’re on a destroyer or a frigate or an aircraft carrier, there are big glass walls where they would put everything.  That way the commander or captain could – at a glance – gain complete situational awareness. It was also a way for each of the officers to hold each other accountable for getting things done.

This really resonated with me because as an Army NCO and later as a young Officer, I spent time supporting a lot of elite forces. There was a team dynamic there that I was going for. I knew these kind of teams could exist and be highly productive because I had seen them in our government. These were self-contained teams, close knit and cross-functional. When I applied the same principles to software development teams, it all just clicked.

I started having standups, set up the big charts on the wall and then asked, “What we could show after one week?” By the end of one week we were able to turn a prototype back to the customer and ask for feedback.  We didn’t get much sleep, but we were wildly successful. If kinda snowballed from there once the customer was able to see and touch the software early on. After that,  I was asked to be a the project manager for 30 guys and gals on a one month sprint.  After that, it was a distributed team, spanning the UK, Australia and India.

As a Project Manager, I started to have a cult following.  This was not because I walk on water (obviously!) but because, when you put people at the center of the process, everything works.

AB: What is it about Agile that attracts workers on a stealth basis?

DH: Quality stays right out front the whole time.  Good quality assurance programs try to harmonize the fact that you can meet every specification, but if the market rejects it, the product isn’t good.  We know that having two truckloads of documentation at the end of a process is not actually proof that a product was good.

One thing about quality, it’s in the eye of the beholder, just like beauty.  Many quality implementation frameworks end up transforming something that was well-meaning into a check-the-box exercise instead of actually looking at the product.  It should be more like an art critique.  Agile just does that naturally, through tight feedback loops.

Most small teams like Agile because it fires up people’s creative juices.  We are not robots; we are not here to do the same repetitive task over and over.  We are here to do a unique task that is highly nuanced – singularly unique every time – based on human experience.  That’s why Agile is so appealing to knowledge workers who should have been hired for creativity, for situations in which what is required is kind of fuzzy.  It enables the human potential within them to come out, expressing the intrinsic value of work.

Agile has all sorts of built-in reward systems.  Computers give us interesting puzzles to figure out.  The problem is, if you’re the only person who plays with the puzzle it’s not that rewarding.   Someone else recognizing what you went through to produce that product is a self-reinforcing reward system.  Agile recognizes people’s mastery.

AB: What happens when a Stealth Agile team tries to scale up?

DH: A couple things.  When you first start adopting Agile outside the initial hive, we often see “teams” that aren’t acting like cross-functional, self-organized, empowered teams. Instead we find groups of individuals. Part of this is the Gulture Culture of celebrating being an Introvert. Nothing wrong with that. However, we need teams. So, the Introverts who aren’t used to collaborating very well might resist getting dragged into a team. Usually the objections aren’t real objections, they’re expressing insecurity about some facet of the process. Takes a little digging to figure out what’s really going on. A command-and-control culture might say that the person has “issues” or “lack of skills,” expressing a judgmental attitude.  That is rarely true. Often the situation is that the Leadership Style being employed just hasn’t found the right way to motivate the person. In Agile we take the time because people are more important than process.

Also, to scale out of being Stealth, you have to create an environment where it is safe to fail.  I’m not talking big failures, but lots of little ones that don’t cause any real harm, the kind people actually learn a lot from.  Christiansen in the Innovators’ DNA talks about how safe environments help workers connect their synapses by asking probing questions, personal networking with others, and taking time to observe in and out of the company.

In Stealth mode, it is easy to create this environment. You’re in an isolated bubble. At some point, Stealth Agile starts to gain what I call “viral velocity” and the team hits a wall when it can no longer be stealth. You have to explain why you’re not doing such and such documentation of where you have failed forward as a learning opportunity and someone just sees it as failure.  Generally there’s someone in middle or upper management who just doesn’t understand. This really isn’t because of process or policy. It is because the culture inside the Stealth Agile team is so different from the larger organization around it.

So you have to find your champion and your change agent.  We’ve found that having a group of at least four people, two supportive people at two different levels in the company, is a critical factor for getting past this culture shock to the organization. There is real Brain Science at play in the way people will resist the Stealth Agile team joining the rest of the organization.  The basal ganglia part of the brain is always searching for pattern recognition.  A response to the new and unfamiliar can override reason because it triggers flight or fight.  In situations where you’re trying to expand out of a Stealth Agile team, the rest of the organization doesn’t have a “pattern match”, so the champion and change agent have to create the experience, the pattern match, that helps click pieces into place horizontally and vertically through the organization in order for the new culture to stick.

The message from the Stealth Agile team to the rest of the company should be two-fold.  First, they should communicate the story of their pattern of responding and adapting to rapidly changing business needs.  The strength of the feedback loop created through close customer collaboration creates a narrative all by itself which then becomes compelling to the champion and change agent and gets retold.

The second part is management seeing the potential for what happens if the company embraces Agile outright.   At a very personal level, you have to activate the senses of management: desire gets triggered and then fulfilled just the way it does in a user story.

There is a hitch to all of this. There have to be structures for fulfillment around the Stealth Agile team or group or department otherwise there’s no survival at scale.  So you have to create a lot of buzz  around how much return on investment you’re going to get by being able to adapt and quickly respond to changing business needs, to ensure that the requisite structures are in place to be successful.

It’s management’s job to push, see how hard they can push people. That’s their job. It’s how they do that in the culture that matters.  There’s a directing style of leadership and a servant or motivating style of leadership.  The latter recognizes that people aren’t typically motivated by someone dictating policies.  Stealth Agile teams need to trigger a larger desire within the company for a different way of working and then fulfill that desire.